The Peninsula Women's Chorus is an award-winning female choir based at Palo Alto, California.
In 1966, after a decade of involvement with local musical ensembles, Marjorie Rawlins of Palo Alto founded the American Association of University Women Midpeninsula Chorus, with 17 members. She soon recognised the limitations of working within the AAUW graduates' organisation, and abandoned the affiliation; the choir was subsequently renamed the University Women’s Chorus. The principles established from the outset were that, although the choir was informal, its aims would be ambitious. In particular, members were expected to sing all pieces from memory, and the repertoire was to be ambitious, with many pieces sung in foreign languages.
When Mrs Rawlins left in 1975, the members, by then increased to over 50, appointed 25-year-old Patricia (Patty) Hennings as their new director. Under her leadership the choir, soon rechristened the Peninsula Women's Chorus to emphasise its inclusive recruiting policy (though it maintained an association with Foothill College), continued to increase its standards, and[1] in 1982 was selected by Stanford University for a project to record vocal scores written from memory in a Second World War prison camp on Sumatra by Margaret Dryburgh and Norah Chambers, as recorded in the TV documentary Song of Survival.[2] This was such a success that the Chorus performed in Europe in 1984.
Patty adopted a policy of commissioning new works to suit the Chorus, in addition to scouring the musical histories of cultures throughout the world.[3] In both 1999 and 2003, the Chorus received ASCAP awards for adventurous programming- the first group to receive the award twice,[4] and between 1987 and 2001, they performed three times for the national convention of the American Choral Directors' Association. In 1996, the Chorus released a CD, and several others have followed since. Patricia Hennings, after suffering for several years from cancer, died in December 2001;[5] for a short time her place was taken by Karen Robinson, until the current director, Argentinian-born Martín Benvenuto, was appointed in fall 2003.